Migration stories don’t become real until you meet people in the journey: the carpenter carrying photos of his fantasy coffins, or the Libyan city worker burying the forgotten dead, or the Tatar woman watching her livelihood collapse at a militarised border. Following these surprising human threads is the only way journalism can cut through collective exhaustion and make readers confront a crisis they’ve been trained to ignore.

How does the Western press shape the migration narrative? Which journalistic frames dominate its coverage? And is reporting on anti-immigration protests neutral or ideologically charged? This analysis examines how segments of Western media echo far-right rhetoric, reinforcing xenophobic discourse through selective framing, language, and imagery.