Israeli military journalism developed through a deep fusion of media, censorship, and the army, turning correspondents into carriers of the official security narrative. This embedded model later influenced Western war reporting, where access to the battlefield often came at the cost of independence and critical distance.

From the pro-occupation Israeli character 'Srulik' to the resilient and satirical Palestinian 'Handala', caricature emerges as another battleground for memory and the future. How did these characters come to be, what is their media symbolism, and why does caricature remain so influential?