Migration stories don’t become real until you meet people in the journey: the carpenter carrying photos of his fantasy coffins, or the Libyan city worker burying the forgotten dead, or the Tatar woman watching her livelihood collapse at a militarised border. Following these surprising human threads is the only way journalism can cut through collective exhaustion and make readers confront a crisis they’ve been trained to ignore.

In the accelerating context of genocide, is the “pace” of death in Gaza outstripping journalists’ ability to capture human stories? How can they be expected to take their time crafting narratives amid hunger, displacement, and death? And to what extent can postwar documentation hold journalistic value in preserving collective memory and pursuing accountability for the perpetrators?

After nine months of genocidal war on Palestine, how can journalists tell human stories? Which stories should they focus on? And does the daily, continuous coverage of the war’s developments lead to a “normalisation of death”?

Where does compassion end and journalism begin? How can one engage with children ethically, and is it even morally acceptable to conduct interviews with them? Palestinian journalist Reem Al-Qatawy offers a profoundly different approach to human-interest reporting. At the Hope Institute in Gaza, she met children enduring the harrowing aftermath of losing their families. Her experience was marked by intense professional and ethical challenges.