The Sabra and Shatila massacre in 1982 saw over 3,000 unarmed Palestinian refugees brutally killed by Phalangist militias under the facilitation of Israeli forces. As the first journalist to enter the camps, Japanese journalist Ryuichi Hirokawa provides a harrowing first-hand account of the atrocity amid a media blackout. His testimony highlights the power of bearing witness to a war crime and contrasts the past Israeli public outcry with today’s silence over the ongoing genocide in Gaza.

Inside the heart of a Palestinian journalist living in Gaza, there are two personas: one is a human who wants to protect his own life and that of his family, and the other is a journalist committed to safeguarding the lives of the people by holding on to the truth and staying in the field. Between these two extremes, or what journalist Maram Hamid describes as the struggle between the heart and the mind, the Palestinian journalist continues to share a narrative that the occupation intended to keep "away from the camera."

Being a journalist, particularly a female journalist covering the genocide in Palestine without any form of protection, makes practicing journalism nearly impossible. When the journalist is also a mother haunted by the fear of losing her children, working in the field becomes an immense sacrifice.

Japan's vibrant subcultures and feminist activists challenge the reductive narratives often portrayed in Western media. To understand this dynamic society authentically, journalists must approach their reporting with patience, commitment, and empathy, shedding preconceptions and engaging deeply with the nuances of Japanese culture.

The internal struggle and moral dilemmas faced by a conflict reporter, as they grapple with the overwhelming nature of the tragedies they witness and the sense of helplessness in the face of such immense suffering. It ultimately underscores the vital role of conflict journalism in preserving historical memory and giving a voice to the voiceless.

For female journalists in Palestine, celebrating international women's rights this year must take a backseat, as they continue facing the harsh realities of conflict. March 8th will carry little celebration for them, as they grapple with the severe risks of violence, mass displacement, and the vulnerability of abandonment amidst an ongoing humanitarian crisis. Their focus remains on bearing witness to human suffering and sharing stories of resilience from the frontlines, despite the personal dangers involved in their work.

A Woman's Voice in the Desert: Navigating the Spotlight

A Mexican journalist's journey through the complexities of reporting on Palestine and gives tips on how to manage this kind of coverage.

REPORTER'S NOTEBOOK: As Israel bombarded Gaza for the third night, I found myself closer to a missile hit than I could have imagined

As journalists, our fascination with Indigenous communities can blind us to our ethical obligations to respect privacy and dignity of those we document - we must reflect carefully

REPORTER'S NOTEBOOK: How it took the collective memories of several generations, painstaking interviews and a determined search through tall grass and prickly plants to recreate a destroyed community

REPORTER'S NOTEBOOK: Following the arrest of former Prime Minister Imran Khan, violence has erupted across Pakistan. For journalists, it is like reporting from the centre of a storm

On the eve of the first anniversary of the killing of Shireen Abu Akleh, Al Jazeera's Senior Correspondent in Palestine, her colleague commemorates the compassion, integrity and professionalism which made her the extraordinary journalist and human being that she was

As a journalist, reporting on the murder of my father meant answering questions about my own position as an objective observer

REPORTER'S NOTEBOOK: Where do you draw the line when covering human suffering? When does reporting on a devastating earthquake cross over from objective journalism to tasteless voyeurism?