India’s proposed AI copyright framework risks turning independent journalism into a pooled data resource, undermining the subscription-based models that sustain it. At a moment of political and economic fragility, the struggle over AI licensing is ultimately a struggle over who controls, values, and profits from journalistic work.

Independent journalism no longer exists as a functioning practice inside Chechnya. What remains is a profession rebuilt in exile, forced to operate at a distance from the very place it is meant to cover.

In Gaza, journalism becomes inseparable from the life it documents: reporting continues not from a distance, but from within the same fear, grief, and instability it tries to record.

Normalising inconsistent, messy, or incomplete data is tedious and time-consuming, but essential. AI can handle grunt work, but editorial decisions remain with the journalist.

Despite the promise of digital technologies to amplify voices and expand media reach in the Global South, structural barriers, such as political repression, technological dependency, and persistent digital divides, continue to limit their impact. Real progress requires not only technological adoption but also institutional reform, stronger journalistic capacity, and independent ethical frameworks to challenge dominant Western media narratives.

Western media coverage of the Iran–Israel–US conflict often functions as a weapon of war, using selective language that frames US and Israeli strikes as “self-defence” while depicting Iranian actions as "provocation". This linguistic framing normalises civilian casualties and helps manufacture public consent for military aggression by dehumanising certain populations.

In the past, having a detailed editorial plan was something extra that only some newsrooms did, but today it is a necessary part of surviving the non-stop news cycle. As newsrooms move away from old paper deadlines and into a digital world run by social media and search engines, having a clear plan is what keeps a team organised instead of stressed.

There has been a widening crackdown on the media in Ethiopia since war erupted between the central government and Tigray’s regional authorities in 2020, and the pressure appears set to intensify as the country prepares for general elections in June.

As political speeches framed the 2026 U.S.–Israeli attack on Iran, segments of Western media echoed their language and narratives, illustrating how strategic rhetoric and news framing can shape public opinion and legitimise military action.

In the following account, Amira Nassar presents a narrative filled with intricate detail, intimate exchanges, and an unyielding struggle over the meaning of writing amid slaughter and starvation. Part of The Journalism Review’s documentary project recording the testimonies of journalists in Palestine and the Gaza Strip during the ongoing genocide, it stands as a testament against oblivion and the machinery of extermination.

Does a journalist have the right to critique their own employer? It is a striking irony that they report on global crises while remaining silent about their own industry's fragility: stagnant wages, eroding professional values, and profit-driven ownership. Journalists must realize that confronting this internal rot is not just a right, but a necessity to save the profession from extinction.

The emergence of Kukurigo during Zimbabwe’s 2018 elections marked a turning point for digital journalism, transforming WhatsApp from a hub for misinformation into a vital platform for verified news. By leveraging the app’s low data costs, this grassroots initiative bridged the information gap for under-resourced communities, establishing a new model for media credibility and public service within an unstable political landscape.

In a media landscape where French dominance dictates policy and airtime, English-speaking reporters in Cameroon are forced into a relentless cycle of improvisation, translation, and professional exhaustion. From the "desert-like" scarcity of English-speaking experts to newsrooms that offer no institutional support, this analysis explores how linguistic inequality hollows out the journalistic process, leaving vital stories untold and the promise of a bilingual nation unfulfilled.

The mass release of millions of files related to Jeffrey Epstein serves as a metaphor for a wider crisis of the digital age: an overabundance of information that obscures rather than illuminates the truth. In an era where data floods replace traditional censorship, citizens risk becoming less informed, underscoring the vital role of professional journalism in filtering noise into meaningful knowledge.

Myanmar’s recent elections posed a profound challenge for journalists, who were forced to navigate between exposing a sham process and inadvertently legitimising it. With media repression intensifying, reporting became an act of resistance against the junta’s effort to control information and silence independent voices.

The December 2025 arson attacks on Prothom Alo and The Daily Star marked a turning point for journalism in Bangladesh. As public anger replaces state control as the primary threat, reporters are reassessing personal safety, editorial judgement, and professional credibility in a political transition where journalism itself is increasingly treated as an enemy.

How does the Western press shape the migration narrative? Which journalistic frames dominate its coverage? And is reporting on anti-immigration protests neutral or ideologically charged? This analysis examines how segments of Western media echo far-right rhetoric, reinforcing xenophobic discourse through selective framing, language, and imagery.

From the very first moment of the genocidal war waged by Israel on Gaza, Al Jazeera correspondent Hisham Zaqout has been a witness to hunger, devastation, war crimes, and the assassination of his colleagues in the field. It is a battle for survival and documentation, one that goes beyond mere coverage and daily reporting.

Cameroon’s 2025 presidential election exposed a troubling paradox: a nation voting under the watchful eye of power, while its press remained silenced. From the arrest of a teenage reporter to bans on political debate and digital manipulation, freedom of expression is under siege, and journalism is on trial.

As a journalist, reporting on the murder of my father meant answering questions about my own position as an objective observer.

Will the story of Gaza be reduced to official statements that categorise the Palestinian as a "threat"?
Or to images of the victims that flood the digital space?
And how can the media be transformed into a tool for reinforcing collective memory and the struggle over narratives?