Al Jazeera Journalism Review

Why won’t Zimbabwe’s media report truthfully on the Gold Mafia?

Long before Al Jazeera’s Investigative Unit broadcast its damning Gold Mafia documentary on gold smuggling in Africa, the response of local media outlets to this scandal was entirely predictable.

The investigation uncovered huge corruption and collaboration between Africa’s Gold Mafia and senior government figures. In one instance - caught on camera by a reporter posing as a gangster - a senior African ambassador offers to launder $1.2 million using the cover of his diplomatic bag.

So why isn’t this level of corruption being uncovered by local news organisations? Media coverage of corruption involving the ruling elites in southern African countries has for decades either been lukewarm, or completely lacking. The mainstream media in southern Africa simply doesn’t take a stand on it. 

One major result of this lack of media interest is that governments’ anti-corruption drives have been just as lukewarm - largely ceremonial and completely ineffective at bringing culprits to book. Here, in Zimbabwe, for example, despite being awarded some 3.6 billion Zimbabwean dollars (more than US$33 million) to combat “graft” (corruption) in 2021, the Zimbabwe Anti-Corruption Commission has failed to make even one solitary arrest.

Before the scheduled March 2 airing of Al Jazeera’s documentary, Zimbabwe’s state-controlled daily newspaper, the Herald, published a piece accusing Al Jazeera of seeking to “undermine the good work which is being done by President Mnangagwa and Zanu PF”.

Keep in mind that this was before the documentary had even been aired.

For reasons unknown, the Herald’s online version of the article was later taken down. For a state publication that largely ignores corruption cases involving the political elites, this seemed an odd move and suggests the initial publication of the article was done in haste, in an attempt to see off any criticism of the government. It was a poorly thought through strategy and smacked of desperation. 

 

‘False allegations’ 

On March 6, before Episode 1: The Laundry Service was aired on March 23, the Reserve Bank of Zimbabwe (RBZ) governor issued a press statement, denying any involvement in the smuggling syndicate, calling the “public to dismiss the false allegations with the contempt they deserve.” 

Both local and international publications covered the press statement. However, rumours in Zimbabwe that a few selected local and international journalists had been granted prior access to snippets of the documentary were swirling around. The insinuation was that anyone who had been given prior viewing of parts of the documentary must have helped with it.

They were quickly labelled as being hostile to Zimbabwe, plotting to portray the country as a rogue state - traitors effectively. 

This was further used to discredit Al Jazeera’s documentary - using the notion that it had been cobbled together by entirely anti-Zimbabwe journalists hostile to the nation. 

Interestingly, before the documentary aired, the Chronicle, another state-controlled daily paper, did run a story revealing that nearly $100 million worth of gold was being smuggled each month in Zimbabwe. Unlike the Al Jazeera documentary, however, the Chronicle article only revealed the extent of the smuggling. It failed to mention the players involved at all.  

Since the Al Jazeera investigation was aired, private media outlets, led by the NewsDay and News Hawks, have made real attempts to follow up the story, serialising the ongoing investigation, speaking truth to power and taking a keen interest on the President’s close links to people mentioned in the investigation, even mentioning him by name. These articles have irked the ruling party, leading to some threats  against these media outlets and their journalists , via a twitter handle attributed to the presidential spokesperson, George Charamba, and under the guise of “friendly advice”. 

As usual, these sorts of “warnings” have resulted in self-censorship, particularly by the state media, which has gone completely silent on the issue or only reported the bare minimum. Hopewell Chin’ono, an award-winning journalist who has been previously arrested for “communicating falsehoods”, said he would tone down his criticism, citing the threats. The threats were however immediately condemned by media owner Trevor Ncube, the regional media, such as the Mail and Guardian in South Africa and media organisations widely condemned this sort of intimidation aimed at journalists, correctly seen as a way to silence the media as the nation heads towards elections.   

 

More empty promises

Despite the overwhelming evidence of corruption and government links to gold smuggling, state media continued to dismiss the investigation as a “hatchet job” - thus failing completely in the correct remit of the media which should be to inform and to tell the truth. 

After weeks of denial by the Zimbabwe government. However, state media suddenly changed its stance, with the ministry of information issuing a statement via the state broadcaster, the Zimbabwe Broadcasting Corporation (ZBC), saying that law enforcement agents would investigate those implicated in the documentary. 

On April 6, the Herald revealed that the assets of four people fingered in the gold smuggling documentary had been frozen, although the assets in question were not mentioned, nor was there any attempt to interview the accused parties. 

A day later, the state Herald wrote that accounts belonging to four more main players in the smuggling ring had been frozen, adding that arrests were imminent. However, many people queried how they froze accounts, when cash was mainly used in the gold smuggling operation. A follow-up article by the Herald on April 11, claimed that police would investigate allegations in the documentary, but did not further elaborate on who would be targeted and what sort of evidence the police is relying on.    

Some independent local media, such as The Independent, have probed the allegations, further exposing more gold looting. For their efforts, however, they have been accused of furthering a Western-sponsored propaganda project, concerned with tarnishing the country and Africa’s image. By daring to publish the president’s name, local private media outlets also attract the label of “regime change agents”, seeking to tarnish the image of the first family and the country. It is a thankless task.

 

‘An elitist documentary’  

In South Africa, the South Africa Broadcast Corporation (SABC) has taken an interest in the gold smuggling scandal, featuring the documentary producer. 

The broadcaster has taken a more “neutral mediator” approach to the subject, giving different parties a platform to speak out and be heard. The SABC also covered the picketing at Urbert Angel’s church in Johannesburg, which is one of the protagonists in Al Jazeera’s documentary. 

Newzroom Afrika, another South African broadcaster, gave generous airtime to the investigation, which also mentioned some of the country’s banks as channels of money laundering, interviewing experts.  

But, overall, this coverage has focused on the elite players in this drama, and failed to speak to local people and find out how alleged gold smuggling affects ordinary people.     

Since the documentary premiered, social media has been alive, coining numerous hashtags making it go viral. Social media - especially Twitter, where the debate has been raging - has minimal reach in Zimbabwe. But there has been robust debate and engagement from various parties, taking the role that ought to belong to mainstream media. 

The local media environment remains polarised and under threat in Zimbabwe, even more so with the upcoming elections. But there are signs that things are changing: The use of the #GoldMafia hashtag to identify the culprits has been widely accepted in the media, a clear sign that there is indeed a consensus within the media houses and professionals, albeit a subtle one.     

 

Derrick Matsengarwodzi is an independent journalist based in Zimbabwe

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera Journalism Review’s editorial stance

 

 

 

More Articles

How Does Misinformation Undermine Public Trust in Journalism?

Reports reveal a growing loss of trust in the media, driven by the extent of misinformation that undermines professional journalism's ability to influence public discourse. The platforms of misinformation, now supported by states and private entities during conflicts and wars, threaten to strip the profession of its core roles of accountability and oversight.

Muhammad Khamaiseh 1
Muhammad Khamaiseh Published on: 13 Nov, 2024
Challenging the Narrative: Jeremy Scahill on the Need for Adversarial Journalism

Investigative journalist Jeremy Scahill calls for a revival of "adversarial journalism" to reinstate crucial professional and humanitarian values in mainstream Western media, especially regarding the coverage of the Gaza genocide.

Mohammad Zeidan
Mohammad Zeidan Published on: 10 Nov, 2024
Freedom of the Press in Jordan and Unconstitutional Interpretations

Since the approval of the Cybercrime Law in Jordan, freedom of opinion and expression has entered a troubling phase marked by the arrest of journalists and restrictions on media. Musab Shawabkeh offers a constitutional reading based on interpretations and rulings that uphold freedom of expression in a context where the country needs diverse opinions in the face of the Israeli ultra right wing politics.

Musab Shawabkeh
Musab Al Shawabkeh Published on: 8 Nov, 2024
Voting in a Time of Genocide

The upcoming U.S. presidential election occurs against the backdrop of the ongoing genocide in Gaza, with AJ Plus prioritising marginalised voices and critically analysing Western mainstream media narratives while highlighting the undemocratic aspects of the U.S. electoral system.

Tony Karon Published on: 22 Oct, 2024
Journalists Should Not Embrace the Artificial Intelligence Hype

What factors should journalists take into account while discussing the use of AI in the media?

Jorge Sagastume Muralles
Jorge Sagastume Published on: 16 Oct, 2024
A Year of Genocide and Bias: Western Media's Whitewashing of Israel's Ongoing War on Gaza

Major Western media outlets continue to prove that they are a party in the war of narratives, siding with the Israeli occupation. The article explains how these major Western media outlets are still refining their techniques of bias in favor of the occupation, even a year after the genocide in Palestine.

Mohammad Zeidan
Mohammad Zeidan Published on: 9 Oct, 2024
A Half-Truth is a Full Lie

Misinformation is rampant in modern conflicts, worsened by the internet and social media, where false news spreads easily. While news agencies aim to provide unbiased, fact-based reporting, their focus on brevity and hard facts often lacks the necessary context, leaving the public vulnerable to manipulation and unable to fully grasp the complexities of these issues.

Ilya
Ilya U Topper Published on: 30 Sep, 2024
Testimonies of the First Witness of the Sabra & Shatila Massacre

The Sabra and Shatila massacre in 1982 saw over 3,000 unarmed Palestinian refugees brutally killed by Phalangist militias under the facilitation of Israeli forces. As the first journalist to enter the camps, Japanese journalist Ryuichi Hirokawa provides a harrowing first-hand account of the atrocity amid a media blackout. His testimony highlights the power of bearing witness to a war crime and contrasts the past Israeli public outcry with today’s silence over the ongoing genocide in Gaza.

Mei Shigenobu مي شيغينوبو
Mei Shigenobu Published on: 18 Sep, 2024
Anonymous Sources in the New York Times... Covering the War with One Eye

The use of anonymous sources in journalism is considered, within professional and ethical standards, a “last option” for journalists. However, analysis of New York Times data reveals a persistent pattern in the use of “anonymity” to support specific narratives, especially Israeli narratives.

Mohammad Zeidan
Mohammad Zeidan Published on: 8 Sep, 2024
India and Pakistan; Journalists building Bridges for Understanding

Amid decades of tension, journalists from India and Pakistan are uniting to combat hostile narratives and highlight shared challenges. Through collaboration, they’re fostering understanding on pressing issues like climate change and healthcare, proving that empathy can transcend borders. Discover how initiatives like the Journalists' Exchange Programme are paving the way for peace journalism and a more nuanced narrative.

Safina
Safina Nabi Published on: 12 Aug, 2024
From TV Screens to YouTube: The Rise of Exiled Journalists in Pakistan

Pakistani journalists are leveraging YouTube to overcome censorship, connecting with global audiences, and redefining independent reporting in their homeland.

Anam Hussain
Anam Hussain Published on: 28 Jul, 2024
How AI Synthesised Media Shapes Voter Perception: India's Case in Point

The recent Indian elections witnessed the unprecedented use of generative AI, leading to a surge in misinformation and deepfakes. Political parties leveraged AI to create digital avatars of deceased leaders, Bollywood actors

Suvrat Arora
Suvrat Arora Published on: 12 Jun, 2024
The Rise of Podcasting: How Digital Audio Is Revolutionising Journalism

In this age of digital transformation and media convergence, podcasts stand out as a testament to the enduring power of journalism—a medium that transcends borders, sparks conversations, and brings the world closer together.

Anam Hussain
Anam Hussain Published on: 6 Jun, 2024
Under Fire: The Perilous Reality for Journalists in Gaza's War Zone

Journalists lack safety equipment and legal protection, highlighting the challenges faced by journalists in Gaza. While Israel denies responsibility for targeting journalists, the lack of international intervention leaves journalists in Gaza exposed to daily danger.

Linda Shalash
Linda Shalash Published on: 9 May, 2024
Your Words Are Your Weapon — You Are a Soldier in a Propaganda War

Narrative warfare and the role of journalists in it is immense; the context of the conflict, the battleground has shifted to the realm of narratives, where journalists play a decisive role in shaping the narrative.

Ilya
Ilya U Topper Published on: 21 Apr, 2024
The Privilege and Burden of Conflict Reporting in Nigeria: Navigating the Emotional Toll

The internal struggle and moral dilemmas faced by a conflict reporter, as they grapple with the overwhelming nature of the tragedies they witness and the sense of helplessness in the face of such immense suffering. It ultimately underscores the vital role of conflict journalism in preserving historical memory and giving a voice to the voiceless.

Hauwa Shaffii Nuhu
Hauwa Shaffii Nuhu Published on: 17 Apr, 2024
Journalism in chains in Cameroon

Investigative journalists in Cameroon sometimes use treacherous means to navigate the numerous challenges that hamper the practice of their profession: the absence of the Freedom of Information Act, the criminalisation of press offenses, and the scare of the overly-broad anti-terrorism law.

Nalova Akua
Nalova Akua Published on: 12 Apr, 2024
The Perils of Journalism and the Rise of Citizen Media in Southeast Asia

Southeast Asia's media landscape is grim, with low rankings for internet and press freedom across the region. While citizen journalism has risen to fill the gaps, journalists - both professional and citizen - face significant risks due to government crackdowns and the collusion between tech companies and authorities to enable censorship and surveillance.

AJR Contributor Published on: 6 Apr, 2024
Orientalism, Imperialism and The Western Coverage of Palestine

Western mainstream media biases and defence of the Israeli narrative are connected to orientalism, racism, and imperialism, serving the interests of Western ruling political and economic elites. However, it is being challenged by global movements aiming to shed light on the realities of the conflict and express solidarity with the Palestinian population.

Joseph Daher
Joseph Daher Published on: 1 Apr, 2024
Ethical Dilemmas of Photo Editing in Media: Lessons from Kate Middleton’s Photo Controversy

Photoshop—an intelligent digital tool celebrated for enhancing the visual appearance of photographs—is a double-edged sword. While it has the power to transform and refine images, it also skillfully blurs the line between reality and fiction, challenging the legitimacy of journalistic integrity and the credibility of news media.

Anam Hussain
Anam Hussain Published on: 26 Mar, 2024
Breaking Barriers: The Rise of Citizen Journalists in India's Fight for Media Inclusion

Grassroots journalists from marginalized communities in India, including Dalits and Muslims, are challenging mainstream media narratives and bringing attention to underreported issues through digital outlets like The Mooknayak.

Hanan Zaffa
Hanan Zaffar, Jyoti Thakur Published on: 3 Mar, 2024
Silenced Voices and Digital Resilience: The Case of Quds Network

Unrecognized journalists in conflict zones face serious risks to their safety and lack of support. The Quds Network, a Palestinian media outlet, has been targeted and censored, but they continue to report on the ground in Gaza. Recognition and support for independent journalists are crucial.

Yousef Abu Watfe يوسف أبو وطفة
Yousef Abu Watfeh Published on: 21 Feb, 2024
Artificial Intelligence's Potentials and Challenges in the African Media Landscape

How has the proliferation of Artificial Intelligence impacted newsroom operations, job security and regulation in the African media landscape? And how are journalists in Africa adapting to these changes?

Derick Matsengarwodzi
Derick Matsengarwodzi Published on: 18 Feb, 2024
Media Monopoly in Brazil: How Dominant Media Houses Control the Narrative and Stifle Criticism of Israel

An in-depth analysis exploring the concentration of media ownership in Brazil by large companies, and how this shapes public and political narratives, particularly by suppressing criticism of Israel.