Myanmar’s recent elections posed a profound challenge for journalists, who were forced to navigate between exposing a sham process and inadvertently legitimising it. With media repression intensifying, reporting became an act of resistance against the junta’s effort to control information and silence independent voices.

The December 2025 arson attacks on Prothom Alo and The Daily Star marked a turning point for journalism in Bangladesh. As public anger replaces state control as the primary threat, reporters are reassessing personal safety, editorial judgement, and professional credibility in a political transition where journalism itself is increasingly treated as an enemy.

How does the Western press shape the migration narrative? Which journalistic frames dominate its coverage? And is reporting on anti-immigration protests neutral or ideologically charged? This analysis examines how segments of Western media echo far-right rhetoric, reinforcing xenophobic discourse through selective framing, language, and imagery.

From the very first moment of the genocidal war waged by Israel on Gaza, Al Jazeera correspondent Hisham Zaqout has been a witness to hunger, devastation, war crimes, and the assassination of his colleagues in the field. It is a battle for survival and documentation, one that goes beyond mere coverage and daily reporting.

As a journalist, reporting on the murder of my father meant answering questions about my own position as an objective observer.

Will the story of Gaza be reduced to official statements that categorise the Palestinian as a "threat"? Or to images of the victims that flood the digital space? And how can the media be transformed into a tool for reinforcing collective memory and the struggle over narratives?

AI is reshaping Arab journalism in ways that entrench power rather than distribute it, as under-resourced MENA newsrooms are pushed deeper into dependency and marginalisation, while wealthy, tech-aligned media actors consolidate narrative control through infrastructure they alone can afford and govern.

Generative AI is transforming journalism and journalism education, but this article shows that its benefits are unevenly distributed, often reinforcing Global North–South inequalities while simultaneously boosting efficiency, undermining critical thinking, and deepening precarity in newsrooms and classrooms.

From underground newsletters during the Intifadas to livestreams from Gaza, Palestinian journalism has evolved into a decentralised digital practice of witnessing under occupation. This article examines how citizen journalists, fixers and freelancers have not only filled gaps left by international media, but fundamentally transformed how Palestine is reported, remembered and understood.

Between the import of Western concepts and terminology that often fail to reflect the Arab context, and the denial of the climate crisis, or the inability to communicate it in clear, accessible terms, journalism plays a vital role in informing the public and revealing how climate change directly affects the fabric of daily life in the Arab world.

Vietnam’s tightly controlled media environment relies on narrative distortion, selective omission, and propaganda to manage politically sensitive news. Exiled journalists and overseas outlets have become essential in exposing these practices, documenting forced confessions and smear campaigns, and preserving access to information that would otherwise remain hidden.

A few weeks ago, Carla Bruni, wife of former French president Nicolas Sarkozy, was seen removing the Mediapart logo from view. The moment became a symbol of a major victory for investigative journalism, after the platform exposed Gaddafi’s financing of Sarkozy’s election campaign, leading to his prison conviction. In this article, Edwy Plenel, founder of Mediapart and one of the most prominent figures in global investigative journalism, reflects on a central question: what does it mean to be an investigative journalist today?

Can artificial intelligence tools help promote and expand the reach of longform journalism, still followed by a significant audience, or will they accelerate its decline? This article examines the leading AI tools reshaping the media landscape and explores the emerging opportunities they present for longform journalism, particularly in areas such as search and content discovery.

How Should We Interpret the Leak of the “BBC Memo” on Editorial Standards? Can we truly believe that the section concerning U.S. President Donald Trump was the sole reason behind the wave of resignations at the top of the British broadcaster? Or is it more accurately seen as part of a broader attempt to seize control over editorial decision-making? And to what extent can the pressure on newsrooms be attributed to the influence of the Zionist lobby?

Despite an unprecedented global flood of information, journalism remains strikingly impotent in confronting systemic crises—largely because the dominant Anglo-American model, shaped by commercial imperatives and capitalist allegiances, is structurally incapable of pursuing truth over power or effecting meaningful change. This critique calls for dismantling journalism’s subordination to market logic and imagining alternative models rooted in political, literary, and truth-driven commitments beyond the confines of capitalist production.

The crisis of cultural journalism in the Arab world reflects a deeper decline in the broader cultural and moral project, as well as the collapse of education and the erosion of human development. Yet this overarching diagnosis cannot excuse the lack of professional training and the poor standards of cultural content production within newsrooms.

Are podcasters, content creators, and influencers really journalists, or has the word 'journalist' been stretched so thin that it now covers anyone holding a microphone and an opinion? If there is a difference, where does it sit? Is it in method, mission, accountability, or something else? And in a media landscape built on noise, how do we separate a journalist from someone who produces content for clicks, followers or sponsors

What societies remember, and what they forget, is shaped not only by historians but by journalism. From wars to natural disasters, the news does not simply record events; it decides which fragments endure in collective memory, and which fade into silence.

In Spain, a well-intentioned media practice of omitting suspects’ ethnic backgrounds in crime reporting is now backfiring, fuelling misinformation, empowering far-right narratives, and eroding public trust in journalism.

Amid Israel’s war on Gaza, Zina Q. uncovers how Google Maps and satellite imagery are being manipulated; homes relabelled as “haunted,” map updates delayed, and evidence of destruction obscured, revealing digital cartography itself as a weapon of war. By exposing these distortions and linking them to conflicts from Sudan to Ukraine, she demonstrates how control over maps and AI surveillance influences not only what the world sees, but also what it remembers.

How many journalists have to be killed before we name the killer? What does press freedom mean if it excludes Palestinians? In its latest strike, Israel killed an entire Al Jazeera news crew in Gaza—part of a systematic campaign to silence the last witnesses to its crimes. Canadian Journalists for Justice in Palestine (CJJP) condemns this massacre and calls on the Canadian government to end its complicity, uphold international law, and demand full accountability. This is not collateral damage. This is the targeted erasure of truth.

Why demand entry for foreign reporters when Palestinian journalists are already risking—and losing—their lives to tell the truth? Real solidarity means saving journalists' lives, amplifying their voices, and naming the genocide they expose daily.

How did The Washington Post's coverage differ between Israel’s bombing of Gaza hospitals and Iran’s strike on an Israeli hospital? Why does the paper attempt to frame Palestinian victims within a “complex operational context”? And when does language become a tool of bias toward the Israeli narrative?

After nine months of genocidal war on Palestine, how can journalists tell human stories? Which stories should they focus on? And does the daily, continuous coverage of the war’s developments lead to a “normalisation of death”?