American Journalism… An attempt to place it in context

American Journalism… An attempt to place it in context

The decision they reached stipulated that the paper would publish identifying details of key sources used in their investigation. In their eyes, it was imperative that the public was made aware that the person that brought them the information was one of those voting on the removal of the council president.

“You have an understandable ambition to break the norm, but you will not be able to… you need health insurance to live, and the private sector provides that. Simply put, there are many who believe that the easiest means to get health insurance in New York is to remain silent.”

The post-2008 resurrection of prime-time talk shows was linked to demographic shifts in the United States. Namely, White Americans have found themselves in a state of crisis, due to their refusal to accept that the skin colour of those immigrants arriving in the US is darker than ever before.

American journalism is confronting unprecedented societal challenges as the country’s political scene becomes increasingly polarized and signs of a cultural war brew. On top of this, the industry is facing challenges in the market as the way audiences interact with journalistic products continues to change. This article explores the status of American print and broadcast journalism, as well as identifies the key challenges it faces and the opportunities it is counting on to survive.

American journalism is confronting unprecedented societal challenges as the country’s political scene becomes increasingly polarized and signs of a cultural war brew.

The wager of print journalism

In 2008, a group of young journalists – me among them – were allowed the opportunity to get an inside look at the way news is made in the Chicago Tribune. Among many other opportunities, the program allowed us to sit in on the editorial meetings with the editor-in-chief and the heads of the various departments, during which they selected the topics to be covered and the front page headline and photo, in addition to the editorial piece for the day.

The first time I attended one of these meetings, I was struck by how the editor-in-chief sat in silence, without commenting, as the department heads discussed their upcoming stories. Sometimes the discussion would heat up as it addressed the importance of a certain topic and its newsworthiness. His gaze lingered on the faces of the discussants, but still, he made no comment. As the meeting neared to an end, journalists began to discuss the topic for that day’s editorial piece, with each head of department pitching an idea, after which the group voted to select one of the proposed topics.

Through this daily editorial discussion, the newspaper’s character manifests and the history of print journalism is carried forward, bringing with it the values of professionalism and the importance of the role of media in society.

The Chicago City Council had decided one morning to hold a vote to depose its elected president. The Chicago Tribune was at the centre of this deposition, as it had published an investigative report which had created controversy. The report detailed the president’s role in granting permission to a major arms company to stage a large exhibition near an area where the homicide rate was quite high; the company manufactured the bullets used in many of these killings.

The editorial heads were discussing what editorial piece the paper would publish on the morning of the vote to depose the president, a vote which had generated much public interest. They argued over how to word the editorial, what the responsibilities of the newspaper was given that it was their investigation which catalyzed the vote, and if an editorial piece on the subject was appropriate or not. The discussion lasted for over an hour, and though it would be valuable to print it word for word, the constraints of this article does not allow for this.

The department heads and editorial board decided that the paper would publish identifying details of key sources used in their investigation. In their eyes, it was imperative that the public was made aware that the person that brought them the information was one of the council members voting on the removal of the council president.

The journalist who investigated the case had only revealed this information to the editorial staff during the discussion. This revelation prompted the editor-in-chief to speak for the first time since I started attending the meetings. “It is the journalist’s inherent right to not reveal their sources, particularly if revealing them would put them in danger. However, the only danger here is for the council member’s political future, as it might destroy their ambitions of running for the presidency of the council later on. As long as they are there to serve citizens and are willing to expose their colleagues and not cover up for their mistakes [we should reveal the source]. This might make it harder for us to reach our sources in the future, but we will establish a basic principle: Our newspaper will not be a stage for political elimination.”

The newspaper went ahead and published the editorial. In the end, the president of the council stepped down before the vote was even held.

That evening, I visited the editor-in-chief’s office and found him buried in his work. He smiled and invited me to sit down. I told him: “I am trying to benefit as much as I can during my time here and I wanted to understand what happened today, as I think it was exceptional. It is impressive when a newspaper plays its true role as the fourth estate—and the truth is, I’m glad to be a journalist after what I witnessed today.”

He smiled and replied: “Some believe that your generation will kill print journalism since it focuses more on the Internet. It’s true that the method of publishing on these electronic platforms is in itself genius and quick, but it will kill in-depth journalism. When you flip through a newspaper, you need to use your hands and arms to fold the pages, while you only need to use your index finger to read through a website and can close an electronic magazine with just one quick swipe.”

“Herein lies the dilemma: All journalists will turn to journalism that doesn’t require much time—and if quickly publishing on hot topics generates traffic, then why not? But this will destroy the concept that impressed you today. Serious issues and investigations require time to achieve. A week ago, I received the sale numbers for the print newspaper; they were worrying. However, every time we have a case like we did this morning, as we do every few months, I trust that we persevere, as quick journalism cannot have the ingenuity we have.”
 

The editorial heads were discussing what editorial piece the paper would publish on the morning of the vote to depose the president, a vote which had generated much public interest.

Invisible Government

In the early 1970s, the famous investigative journalist Seymour Hersh decided to move from Washington, D.C., to New York City. In D.C., Hersh created his journalistic stardom by consistently publishing investigations that shook the US government to its core, the CIA included. He later confessed that US journalists and newspapers are bolder when it comes to exposing government-related scandals, as opposed to investigating private companies. Hence, he decided to move to the capital of capitalism and the private sector—New York—to begin focusing on the private sector. However, after three years of trying to cover Wall Street, Hersh failed to publish a thing. As a result, he decided to shift focus and write the biography of former US Secretary of State, Henry Kissinger.

Hersh had tried in vain to cover the dealings of notorious lawyer Sydney Korshak, who has close ties to New York’s major businesspeople and helps dig them out of mega corruption cases. When Korshak agreed to meet with Hersh for a talk, he told him the following: “You have an understandable ambition to break the norm, but you will not be able to… you need health insurance to live, and the private sector provides that. Simply put, there are many who believe that the easiest means to get health insurance in New York is to remain silent.”

Korshak’s words and Hersh’s failure explain the almost exclusive focus of the US press on the government in contrast to its silence on the private sector, which in the past has forced Richard Nixon to resign and continues to hold the US government to account up until the current President Donald Trump.

In 1964 Thomas Ross and David Wise wrote a book called “The Invisible Government,” the contents of which are illuminating for this article. The two authors attempted to describe the role played by the CIA in steering US foreign policy through what they dubbed “shadow instruments,” instruments which in actuality control events on the ground, while diplomats sit in front of a faux-steering wheel, disconnected from the engine.

The book published information on “classified” operations run by the CIA to overthrow heads of state in Guatemala, Indonesia, Laos, Burma and Vietnam. The book, a bestseller at the time, pushed the agency to issue an official review of the book, criticising its contents, calling it fake and describing it as a lot of noise for nothing.
 

The fourth estate and class struggle

Hersh’s struggle to cover the private sector and the “invisible government” described by Ross and Wise are increasingly relevant today, as the ongoing battle between President Trump and the arms of his government result in frequent leaks and one scandal after another. The battle between Trump and his bureaucracy is especially pitched, as the federal intelligence agencies—constituting a part of the bureaucracy—have grown increasingly powerful since the post-9/11 era started in the Bush administration.

While leaks from government employees and intelligence agents are nothing new, there seems to be new motives for these leaks, centring mostly on a desire to embarrass or discredit the Trump administration.

While one might imagine that a solution for this cascade of leaks would be to gradually replace Obama-era employees with new ones appointed by the Trump administration, but it is not so simple. What is different in this case from leaks faced by former US presidents—including former Democratic president Jimmy Carter—is that most of these leaks stem from different motives. Currently, the situation can be summarized as a form of party polarization which aims to change the composition of the US bureaucracy.

This polarization is connected to a new class-based struggle between the US’s evolving elite and white workers who lost their old factory jobs over the last two decades on account of this elite—a struggle manifested in the opposing political personas of Hilary Clinton and Trump during the 2016 elections. Clinton represents the evolved class in her language, political platform and elitism, while Trump is her exact opposite, presenting himself as a businessman belonging to the class of hard-working white people, both in rhetoric and political performance.

Former president Barack Obama created a drastic change in the composition of the US bureaucracy, as he appointed a generation of young experts to executive bodies. This demographic shift in federal employees created a new class of technocrats who were second-in-command behind the old bureaucratic guard.

Driven by the anger of cultural, technical and political elites against Trump, these young technocrats led what is known in Washington as the Guerrilla Government War, which constitutes a form of internal disobedience designed to block or resist new policies. This has further contributed to Trump’s persistence on appointing controversial characters to cabinet positions.
 

The wager of TV journalism

When I met Brian Stelter, the host of CNN’s weekly television program “Reliable Sources,” he had just finished an episode with his guest, radio broadcaster Brooke Gladstone, the host of one of the most famous US national radio shows, “On the Media.” Stelter and Gladstone both follow TV and new digital media platforms closely, and they are among the most informed when it comes to the backstage goings-on of the US media industry.

In an effort to understand these backstage processes, I asked Stelter why he invited Gladstone onto his program. He told me that, “Her new book and her work is impressive. Over the last decade, Gladstone has followed US talk shows and exactly how they have dealt with events and facts.” Her book was titled “The Trouble with Reality,” and in it, Gladstone details how the American news audience has trouble interpreting reality and its facts, due to the fact that they are always looking for a cohesive narrative rather than truth of individual events.

I had initially wanted to meet Stetler to ask him about a topic not dissimilar from this discussion with his guest Gladstone, what is the state of the US talk show market today? Are peak viewing times the same as they were in the past? What is the role of the TV show host today?
 

“Delicious popcorn after a long day’s work”

Stelter began our conversation with testimonies on the latest viewership numbers and metrics of prime-time talk shows. “The US lives in a state of polarisation, therefore, it is no longer about the celebrity hosts like it used to be; instead, it is about whether or not the narrative of the talk show sufficiently refutes the argument of the other side,” he explained. I interjected to ask: “Is there a third side in this political arena? Is it a binary equation characterized by American partisanship or does the emergence of Bernie Sanders and Donald Trump from the traditional two parties indicate that there is an additional component of each party, looking for a third way outside of the old partisan modes of political discourse?” Stelter smiled, before turning the question on its head.

In his opinion, it is hard to believe that there would be a viewer in the US who prefers reality to their personal ideological bias. Stelter got out statistics on the viewing metrics for the week prior, which largely confirmed his view. The TV talk-show with the highest viewership were Rachel Maddow (MSNBC) and Tucker Carlson (Fox), which are the most anti and pro-Trump talk shows on the air.

Stelter is not alone in his view. The last poll on the state of American media outlets conducted by the Pew Research Centre revealed a stark contrast between the actual viewing patterns of Americans and their self-declared viewing patterns. The poll said that American viewers prefer to appear balanced in their exposure to media outlets, however in actuality, they look for “delicious popcorn after a long day’s work.” This “popcorn” is definitely not found on PBS, the viewing rates of which have dropped so low that the network has disappeared from the viewership tracking lists, despite its emphasis on balanced and neutral language.

The report found that about three million new viewers were added to US news channels during prime time in 2016, when compared to the previous year.

Digital technology

Despite the advancement of technology and methods of interacting with one’s audience in digital media, cable TV still enjoys widespread popularity in the US, with the number of viewers continuously increasing, according to the 2016 Harvard Lab media status report. The report found that about three million new viewers were added to US news channels during prime time in 2016, when compared to the previous year.

Though the report states that this increase in viewership was predictable due to it being an election year in the US, it also notes that dialogue in the public sphere began to diverge in 2016. Namely, what is presented on prime-time talk shows and what is circulated on digital media platforms have begun to overlap. 

Media observers have observed the same phenomenon—as for the first time in years, someone as prominent as the president of the United States has attacked derided journalists directly. Trump, the former reality TV show star has maintained his brand while even in the Oval Office, calling CNN’s Don Lemon, “the dumbest man on television.”

In his book “The History of Prime Time Television,” George Lee Marshall asserted that American viewers are not as interested in field coverage as they are in the guests that prime-time programs host. Marshall believed that viewers of US national networks look for guests who share their interests, in contrast to viewers of local networks, who want to watch field coverage focusing on the areas in which they live.

The emergence of the digital sphere over social media platforms like Facebook, Twitter and YouTube has changed the scope of traditional TV talk shows. For example, Alex Jones has created a dual format talk show where he broadcasts through radio and YouTube at the same time. This format has become part of prime-time TV in the US, an unprecedented overlap between TV and digital content in the US.
 

TV and the repercussions of the cultural war

Stelter began to answer my later questions about the state of the media in American society today and the subsequent role of the TV host by talking about Larry King, the one of CNN’s most famous talk show hosts. He asked me: “Did you know that he now hosts a show on ‘Russia Today?’” I nodded while he banged the table, saying “Is this really Larry King? I can’t believe it!”

I interrupted him, saying: “But the CNN of today is not the CNN of Larry King’s day!” Stelter went quiet for a moment before saying: “You are right and wrong at the same time… I know Larry King has said that he doesn’t face any sort of censorship with Russia Today and that censorship to him is the restrictions imposed by the media market which relies on the push and pull of the narrative and the counter narrative. But I believe that the problem is that by going on Russia Today, Larry King has destroyed the legacy he created on his long-running talk show.”

Stelter had brought up King to tell me about the attributes of US talk shows and how prime time shows can put a channel on top. The following words are quoted from Stelter:

“Don Lemon is currently the key prime-time presenter on CNN. He was at first a supporting presenter in the morning, later a supporting presenter in the evening, and then later on got his own solo spot after the departure of Piers Morgan. We were in a preparatory meeting to launch the show, and when we learned that Lemon was assigned to present we were surprised. Actually, Lemon himself was surprised. The spirit of the times is what brought lemon. The Black Lives Matter movement was gaining momentum, and the counter narrative against the first African American president on Fox News had already risen. Lemon had lived in the same social circumstances as Obama, and for a channel competing with Fox News, there was no better choice. Of course, me speaking about this context should not overshadow the personal effort and success achieved by Lemon to reach where he is now.”

Much of what Stelter had to say sounded similar to how a company might compare its products to its competitor’s, which is indicative of the status of US media these days.

Pew Research Centre, in its annual report on the status of US media, described the last ten years as “the re-emergence of prime-time talk shows.” This post-2008 resurrection of prime-time talk shows was linked to demographic shifts in the United States. Namely, White Americans have found themselves in a state of crisis, due to their refusal to accept that the skin colour of those immigrants arriving in the US is darker than ever before.

This demographic shift has made its socio-political impacts on society and brought viewers back to TV. A theory espoused by the famous anthropologist Conrad Phillip Kottak in his book, “Prime-Time Society: An Anthropological Analysis of Television and Culture,” helps explain this phenomenon. Kottak explained that as Americans’ socio-political apprehension grows, they become increasingly interested in politics and follow Washington’s news more closely. TV news then becomes a means to peek into the federal government and watch it along its journey of struggling between the narrative and the counter narrative.

The latest report by the Nielsen Institute indicates that Americans between the ages of 18 and 24 watch 15 hours and 36 minutes of prime-time TV talk shows weekly, at an average of two hours and 15 minutes daily—the second lowest drop in the past three years. The return of a young American audience to traditional TV is linked—according to the report—to the age group’s belief that their political decision-making skills and social effectiveness are both linked to the coverage provided by the talk show platform.

المزيد من المقالات

رصد وتفنيد التغطيات الصحفية المخالفة للمعايير المهنية في الحرب الحالية على غزة

في هذه الصفحة، سيعمد فريق تحرير مجلة الصحافة على جمع الأخبار التي تنشرها المؤسسات الصحفية حول الحرب الحالية على غزة التي تنطوي على تضليل أو تحيز أو مخالفة للمعايير التحريرية ومواثيق الشرف المهنية.

مجلة الصحافة نشرت في: 15 يوليو, 2024
تقرير لاتحاد الكتاب الأمريكي يرصد انتقاما ممنهجا من الصحفيين الناقدين للحرب على غزة

يفصّل تقريرٌ صادر عن الاتحاد الوطني الأمريكي للكتّاب وقائع وشهادات عن تعرّض حوالي 100 صحفي وصحفيّة لإجراءات انتقاميّة من قبل مؤسساتهم، بسبب مواقفهم من الحرب الإسرائيلية الجارية على قطاع غزّة، وانتقادهم العلنيّ لفشل الإعلام الغربي السائد في تغطية هذه الحرب.

Mohammad Zeidan
محمد زيدان نشرت في: 21 مايو, 2024
قراءة في كتاب الشبكات الرقمية ودينامية الحقل السياسي/ الاجتماعي بالمغرب

يقدم المقال مراجعة لكتاب "الشبكات الرقمية ودينامية الحقل الاجتماعي/ السياسي بالمغرب" للباحثة المغربية بشرى زكاغ باعتبارها فضاء جديدا للتعبير وصناعة الرأي بعيدا عن سلطة الوسائط التقليدية.

ياسين حكان نشرت في: 15 أبريل, 2024
آليات الإعلام البريطاني السائد في تأطير الحرب الإسرائيلية على غزّة

كيف استخدم الإعلام البريطاني السائد إستراتيجيات التأطير لتكوين الرأي العام بشأن مجريات الحرب على غزّة وما الذي يكشفه تقرير مركز الرقابة على الإعلام عن تبعات ذلك وتأثيره على شكل الرواية؟

مجلة الصحافة نشرت في: 19 مارس, 2024
عن إستراتيجية طمس السياق في تغطية الإعلام البريطاني السائد للحرب على غزّة

كشف تحليل بحثي صدر عن المركز البريطاني للرقابة على الإعلام (CfMM) عن أنماط من التحيز لصالح الرواية الإسرائيلية ترقى إلى حد التبني الأعمى لها، وهي نتيجة وصل إليها الباحث عبر النظر في عينة من أكثر من 25 ألف مقال وأكثر من 176 ألف مقطع مصور من 13 قناة تلفزيونية خلال الشهر الأول من الحرب فقط.

Mohammad Zeidan
محمد زيدان نشرت في: 13 مارس, 2024
ماذا تفعل غرف الأخبار بالذكاء الاصطناعي؟

نشر مشروع "الصحافة والذكاء الاصطناعي" مؤخرا تقريرا عن نتائج استطلاع شامل وصفه بالعالمي الجديد، وحمل عنوان "إحداث التغيير: ماذا تفعل مؤسسات الأخبار بالذكاء الاصطناعي" أشرف عليه البروفيسور تشارلي بيكيت مدير مركز البحوث الصحفية في كلية لندن للاقتصاد والعلوم السياسية، والباحثة الرئيسية في المشروع ميرا ياسين.

عثمان كباشي نشرت في: 2 أكتوبر, 2023
شيرين أبو عاقلة.. سيرة صحفية

يصدر هذا الكتاب بالتزامن مع الذكرى الأولى لاغتيال الصحفية في قناة الجزيرة شيرين أبو عاقلة، وبعد أيام فقط من الاحتفال باليوم العالمي لحرية الصحافة، وقد تبخرت حزمة الوعود التي أطلقها المجتمع الدولي ب

مجلة الصحافة نشرت في: 10 مايو, 2023
راديو بي بي سي.. الفصل الأخير من قصة "هنا لندن"

 أعلنت هيئة الإذاعة البريطانية إغلاق القسم العربي بعد أن شكل لأكثر من ثمانية عقود مصدرا أساسيا للحصول على الأخبار للجمهور العربي. يثير القرار، نقاشا كبيرا حول دوافعه خاصة فيما يرتبط بتغير سلوك الجمهور وهيمنة المنصات الرقمية.

أمجد شلتوني نشرت في: 2 أكتوبر, 2022
من أين يحصل المراهقون على الأخبار؟

"يحصل المراهقون على الأخبار من: إنستغرام أولا ويليه تيك توك ثم يوتيوب وأخيرا البي بي سي!"، هو خلاصة تقرير جديد لمكتب الاتصالات البريطاني أوفكوم حول مصادر الحصول على الأخبار لدى المراهقين. هذه قراءة في أبرز الأرقام الملفتة التي تضمنها التقرير.

عثمان كباشي نشرت في: 31 يوليو, 2022
 "لقطات شاشة: عنف الدولة أمام الكاميرا في إسرائيل وفلسطين"

قبل أيام قتلت قوات الاحتلال الإسرائيلي الصحفية شيرين أبو عاقلة. لم يكن العنف ضد الصحفيين وضد الكاميرا على وجه التحديد في فلسطين حدثا معزولا، بل سياسة ممنهجة لطمس معالم الجرائم والانتهاكات التي يتورط فيها الاحتلال بشكل يومي. من هنا تأتي أهمية كتاب "لقطات شاشة: عنف الدولة أمام الكاميرا في إسرائيل وفلسطين".

عثمان أمكور نشرت في: 29 مايو, 2022
"لا تنظر للأعلى".. هجاء سينمائي لمكينة الإعلام "الفاسدة"

مذنب ضخم يقترب من إفناء الكوكب، يكتشفه عالم وطالبته، فيحاولان إخبار رئيسة الولايات المتحدة الأمريكية بالكارثة، لكنها تبدو مشغولة أكثر بنتائج الانتخابات، ثم يقرران التوجه لوسائل الإعلام التي رأت أن خبر انفصال مغنية مشهورة أهم من فناء الكوكب. الفيلم هجاء للمنظومة الإعلامية والسياسية الفاسدة التي تغذيها قيم الرأسمالية الحديثة.

مها زراقط نشرت في: 18 مايو, 2022
"خطابات الإعلام الجديد والثقافة والسياسة في حقبة ما بعد الربيع العربي"

وفي الفصل الثامن المعنون بـ "الترويج لمفاهيم القومية الليبية عبر الفيسبوك: تحليل الخطاب النقدي"، رصدت الباحثة صفاء النايلي في البحث كيفية مناقشة الإسلاميين والقوميين باعتبارهما توجهين سياسيين رئيسيين في ليبيا، إلا أن بحثها ركز حولَ كيفية تعزيز خطاب القومية عند القوميين على الفيسبوك. تستخدمُ الباحثة تحليل الخطاب النقدي لإظهار كيف يتم تصور فكرة القومية في منشوراتهم. وتكشف الدراسة أن القومية الليبية تقوم على مفاهيم سلبية على صفحات فيسبوك قامت بدراستها، وأن النقاشات حول القومية مبنية على مفاهيم متناقضة مثل الغدر مقابل الولاء والشمول مقابل العزلة.

عثمان أمكور نشرت في: 10 مايو, 2022
"أساسيات أمن المعلومات".. دليل للصحفيين ومديري غرف الأخبار

في كل يوم يظهر أن صحفيين من مختلف دول العالم تعرضت هواتفهم للاختراق خاصة باستخدام برنامج "بيغاسوس"، وتظهر معه، أيضا، الحاجة المتزايدة لتدريب الصحفيين على حماية مصادرهم. هذه قراءة في كتاب "أساسيات أمن المعلومات.. دليل للصحفيين ومديري غرف الأخبار" عن جامعة كولومبيا يقدم تجارب صحفيين في حماية معلوماتهم.

عثمان كباشي نشرت في: 19 أبريل, 2022
الثأر، الحقيقة، الأكاذيب والمافيا

بينو، دخل الإعلام بالصدفة. أسس قناة تلفزيونية محلية يديرها مع عائلته ثم نال شهرة كبيرة بسبب تغطيته لقضايا المافيا. يقضي الآن عقوبة سجنية يتهم المافيا بالتورط فيها.

شفيق طبارة نشرت في: 10 أبريل, 2022
"أمريكي بين الريفيين".. السرد والحدود بين الصحافة والأنثروبولوجيا

"أمريكي بين الريفيين" كتاب أنثربولوجي بنفس صحفي سردي. زار فينسنت شين الصحفي في جريدة "شيكاغو تريبيون" شمال المغرب لتغطية الحرب التحريرية ضد المستعمر الإسباني ثم وثق شهادته بمبضع الصحفي السوسيولوجي. هذه قراءة في كتاب يرصد تقاطعات السرد الصحفي وأدوات العلوم الاجتماعية.

محمد مستعد نشرت في: 26 مارس, 2022
فيلم "الكتابة بالنار".. قصص ملهمة لـ "صحفيات منبوذات" 

 وسط مجتمع ذكوري يؤمن أن مكان المرأة الحقيقي هو البيت، وداخل بنية لا توفر الإمكانيات، تطلع علينا صحفيات هنديات خجولات لكن شجاعات، يخضن صراعا على لرواية قصص جريئة ويكافحن لتحقيق التحول الرقمي لصحيفتهن.

شفيق طبارة نشرت في: 6 فبراير, 2022
فيلم "لا شيء غير الحقيقة".. ضريبة الدفاع عن المصادر

فيلم "لا شيء غير الحقيقة" يطرح قضية الحفاظ على سرية المصادر حتى عندما يستخدم مفهوم "الأمن القومي" لمحاكمة الصحفيين الذين يمارسون حقهم في مراقبة السلطة.

رشيد دوناس نشرت في: 9 يناير, 2022
"عمالقة التقنية والذكاء الاصطناعي ومستقبل الصحافة"

في العدد السابق من مجلة الصحافة، كان السؤال المؤرق الذي يشغلنا: كيف تؤثر الخوارزميات على الممارسة الصحفية. في هذه المراجعة حول كتاب"عمالقة التقنية والذكاء الاصطناعي ومستقبل الصحافة"، يقدم كاتبه رؤية نقدية حادة ضد شركات التكنولوجيا بفعل سعيها المستمر إلى إلغاء دور الصحفيين في إنتاج القصص الصحفية، والقضاء على المؤسسات الصحفية الجادة.

عثمان أمكور نشرت في: 27 ديسمبر, 2021
كتاب السرد في الصحافة.. "نحو ممارسة واعية في الكتابة"

أصدر معهد الجزيرة للإعلام كتاب "السرد في الصحافة" كمحاولة تأسيسية أولى في العالم العربي لمساعدة الصحفيين على بناء قصة صحفية جيدة.

جمال الموساوي نشرت في: 20 ديسمبر, 2021
أخبار سيئة، أخبار جيدة.. قراءة في كتاب "إبستيمولوجية الأخبار الزائفة"

قيمة الأخبار أنها تسائل السلطة، لكن حين تنتشر المعلومات الزائفة تقوض إحدى آليات المساءلة الديمقراطية. "إبستيمولوجية الأخبار الزائفة" كتاب صادر عن جامعة أوكسفورد يشرح كيف تحولت إلى وسيلة لتصفية المخالفين والمعارضين في الأنظمة الشمولية. 

عثمان أمكور نشرت في: 5 ديسمبر, 2021
"438 يوما".. من التحقيق في فساد شركات النفط إلى "سجن شيراتون"

صحفيان سويديان يقرران التحقيق حول تأثير تنقيب الشركات الكبرى عن النفط على السكان المحليين شرق إثيوبيا، ثم يجدان أنفسهما في مواجهة "النيران" حينما قررا الدخول خفية من الحدود الصومالية. بأسلوب سردي، يحكي الصحفيان كيف عاشا تفاصيلها في "سجن شيراتون" حيث يعيش السجناء السياسيون أبشع أنواع التنكيل بينما هيلاري كلينون تمتدح غير بعيد من السجن الرئيس الإثيوبي.

عبد اللطيف حاج محمد نشرت في: 1 ديسمبر, 2021
محمد كريشان يروي: وإليكم التفاصيل

كان محمد كريشان من الجيل الأول المؤسس لقناة الجزيرة. عايش مخاض التأسيس وكان شاهدا على التحولات الكبرى للقناة التي تحتفل هذه الأيام بمرور ربع قرن من عمرها. هذه قراءة في كتابه الجديد، الذي يحكي سيرته الحياتية والمهنية واللحظات المفصلية في تكوينه الصحفي والسياسي.

محمد عبد العزيز نشرت في: 3 نوفمبر, 2021
"غياب الحقد".. عن "اللون الأصفر" للحقيقة

الصحافة مهنة نبيلة، لكنها تؤدي وظائف غير نبيلة في الكثير من الأحيان: تختلق القصص، تغتال سمعة الناس وتضعهم في قفص الاتهام قبل أن يقرر القانون ذلك. "غياب الحقد" فيلم للمخرج الأميركي سيدني بولاك، يناقش بعمقٍ قدرة الصحافة على التحول من مدافع عن الحقيقة إلى مقوّض لها.

شفيق طبارة نشرت في: 22 ديسمبر, 2020
"الصحافة الثقافية" وقد أصبحت مساقا جامعيا

مثلما كان يُنظر للثقافة، كان يُنظر للصحافة الثقافية، مجرّد ترفٍ قد يحضر أو يغيب على صفحات الجرائد وشاشات التلفزيون. وفي الجامعة، لم تحظ بالاهتمام الكافي. كتاب "الصحافة الثقافية" الصادر عن مركز تطوير الإعلام في جامعة بيرزيت، يؤسس لمساق إعلامي جديد يعيد الوهج للتغطية الصحفية للشأن الثقافي.

سعيد أبو معلا نشرت في: 12 نوفمبر, 2020